By Linda Chandanais
The money drawer is short on the days I work. It’s not me, but suspicions pointed my way. I’m extra careful with every ring-up. I like this job.
The morning cook, who’s worked here forever, says her money’s on Sally. She covers the noon rush with me.
The cook has no evidence. “It’s my gut,” she says with wise eyes.
Today Sally’s off and the drawers short. It’s not looking good for me. I really liked this job.
The boss calls me. “Tomorrow morning count the drawer before you open and keep it quiet.”
Now there’s a new cook.
“(I write) because I don’t knit.” – the writer
By Liv Strom
Ghosting someone isn’t the same when you’re basically dead. He would expect me to haunt his every step, because a knife in the back isn’t easy to forget, but instead, I’m having a ball.
Jumping in puddles without back-splash, watching the neighbor’s kink without shame, flying Superwoman style — who’d want to wake again?
Nevertheless, a thread yanks me back to a beeping hospital bed. He hovers at my side, pretending grief and regret, whetting my appetite for revenge, death and deceit.
I smile with fake amnesia, as if my ghost didn’t see the whole bloody thing. Let the true haunting begin.
Liv Strom has loved disappearing into made-up worlds since she first learned to read and write, “hoping to give others the same experience.”
By Serge Cassini
She was like that before she was even born. She can play any song on any skin. She can play a song for rain or a sinking boat with the skin of a chicken or a snake. Her fingers are quick and her mind is sharp. She doesn’t even need skin: She can play with the hand of someone who holds her hand without touching it. She can play the eye of someone who looks at her eye. The only thing she can’t play is the heart of someone who listens to her heart.
“(I write) Because I like parallel words.” – the writer
By Anthony Rome
An oiled pan. Your beginning and motivation.
Start with aromatics. This is foundation and essence. Use what you have. Onion is enough – celery if you’ve got it.
Now comes substance. Make the choices that will dictate your outcome. Are you using bacon? Or mushrooms? Potatoes? All is potential, but you need to choose.
Add the liquid. The appropriate environment for your choices to thrive. Chicken stock or beef? Suit your goals. Season with what makes you happy.
Boil away. Thicken and season. Pay attention. Be simple or elaborate. Creamy or light? It’s your soup. Finish to taste. Eat and enjoy.
“(I write) To stay alive.” – the writer
By Richard A Shury
It isn’t like you think it’ll be. For me, there was only a steel scream, a flash of colour, and nothing.
And then the long, lonely ache.
Sterile rooms, pale greens and blues. Cards and flowers, and people who melted away.
You never think you’ll have to learn to walk again, or figure out a knife and fork, or how a toilet works. But here I am.
This is just one of the days after, the day I didn’t die.
“I write because it hurts when I stop, because I am compelled to, both by the voices in my head and those outside it.” – the writer
By Ran Walker
One day he will get an idea for a book. He will write it, and it will come out like drivel. Then he will write it again, and it will get only slightly better. He will abandon this idea. Later, he will read a book and remember his old idea. He will look at the second draft and realize it wasn’t completely irredeemable. He will write a new draft. It will get better, even though it will never look exactly like he originally envisioned it. He will learn to love this new book, and one day it will get published.
Ran Walker is the author of twenty-five books. He writes because there are millions of stories that need to be told.
By Doug Jacquier
That skinny German tourist’s leg didn’t really agree with me yesterday. Mostly gristle and I’ve still got lederhosen stuck in my teeth. Parked the rest of him under a log for a few days to mature.
Still feeling a pit peckish. Saw a mother duck and brood floating past. I thought ‘Yum, baby ducks’. Ate my lunch and had a nap in the sun on the river bank. Later, mother duck came back searching for her ducklings. She looked so distressed I put her out of her misery.
Sentimental, I know, but that’s just the sweet guy I am.
“I see my writing as sea shells which, when placed against the ear, whisper cryptic messages from an Other Place, just in case other people are in an Other Place, too.” – the writer
By David Lowis
With sweaty palms, Louise entered The Dome, the venue of her cousin’s party. The darkness inside was reassuring. It would help keep her inconspicuous.
She meandered between the guests, glass of wine in hand. A man started a conversation. Soon, others joined the group. Louise listened without hearing before excusing herself to get another drink.
The beat of the music lured her to the dance floor. On impulse, she stepped on and was sucked into a pulsating throng. She ran her hand through her hair, closed her eyes and danced.
She’d found her place for the night. Alone with others.
“I write to explore my imagination and emotions.” – the writer
By Tina Siegel
Turns out he was right. Sometimes something is worse than nothing.
Something is the copy of Anna Karenina he gave you for your one-month anniversary. It’s the Baader-Meinhoff t-shirt he left in your closet and the Scotch that you both love.
It’s the way these things can kneecap you, if you aren’t careful.
Nothing is empty and quiet. It isn’t good, but it isn’t bad, either.
Not that you’d admit it to him, even if you had the chance.
Tina Siegel is a music, animal, and book lover who writes “because she has no choice.”
By Peter Cherches
She called to ask if she had left it behind. I told her I’d take a look. I wanted to find it. If I found it, I could tell her to come by and pick it up. Then I could see her again.
First I looked in the obvious places, then the less obvious, then the highly unlikely. It was nowhere to be found. If it was here in the apartment, it was lost. The phone rang. I picked it up on the first ring.
“Forget it,” she said. “I found it.”
“I’ve been publishing since 1976, and writing longer. I write because some people seem to like what I write.” – the writer