By The Drabble
To celebrate the conclusion of the fourth calendar year of our existence, we present some our favorite posts of 2018. While we are grateful to every Drabble reader and writer for helping to make this site such an unexpected success, we want to recognize a few pieces that truly accomplished what we were setting out to do when we began this blog almost four years ago. Here (in no particular order) are a few drabbles we loved in 2018, enjoy:
The Envy of the Village by J.E. Kennedy
Disappearing is Harder Than You’d Think by Anonymous
Grief by J. Hardy Carroll
Pack Your Bags by Hombrehompson
The Very Short Poem by John Malone
Table for One by rlmcooper
A Love Letter by Minyoung Lee
Mother – A Poem by Katharine Griffiths
Unwritten Poetry by B.
Inspiration by D.A. Donaldson
On a Gravestone in Ireland by Sandra Arnold
By John L. Malone
I’ve got a poem for you, a very short one, he promised with a garrulous grin, and then, in a long-winded introduction in which all the masters of brevity were cited from Basho to Lydia Davis, he proceeded to demolish all notions of shortness. The poem took ten seconds, the intro five minutes.
John Malone is a South Australian writer of short stories, flash fiction and poetry.
By Sandra Arnold
It’s time to face the truth. Your story is abysmal. It’s trite. Overblown. It’s full of mixed metaphors and sloppy syntax. The characters are one-dimensional. The plot’s missing. There’s no beginning. No middle. No proper ending. Who on earth would publish it? It will never win awards. Bookshops won’t stock it. The critics will crucify you. They will say it reveals a lot about the kind of person you are. Take our advice and burn it. Think of the pain you’ll be spared. No need to thank us. This is the whole point of our Writers’ Support Group. Who’s next?
Sandra Arnold is a Pushcart Prize and Best Small Fictions nominee. Her third novel, Ash, will be published by Mākaro Press (NZ) in 2019.
By D.A. Donaldson
“It’s called The Drabble,” she said. “One hundred-word limit.”
He sneered, “And you call that being published?”
“It’s something. It’s a start. It’s better than your Letters to the Editor.”
“At least people read those!”
“Do they? When’s the last time you heard from a reader?”
“Gimme a break,” he swigged his beer, “I don’t see any book deals coming out of your online dribbles.”
“Drabbles,” she corrected. “And my last post got 147 likes. At least I know that someone is reading and enjoying what I write. And you know what else? You just inspired my next submission!”
As usual, my back is to the restaurant’s kitchen door, a lone diner always parked in some out-of-the-way location as though I might, if seated amongst them, infect the other patrons with the “friendless” virus. Yet, as I glance across the thick-carpeted room I’m sad for the couple, long married, who no longer speak, for the parents attempting to rein in a disruptive child or get a sullen teen to eat. I celebrate young lovers and blindly happy newlyweds. No, I do not dine alone. Life’s comedy and drama unfolds before me, and I am content.
By Minyoung Lee
In fifth grade, I wrote you a letter. I wrote my friend had a crush on you, which was true. I didn’t write I had a crush on you, too.
Your friends bullied my friend for a year. She cried all the time. She knew someone told you about her crush. I don’t think she knew it was me.
But that’s what you get for sharing your feelings.
I don’t remember what you looked like. I hope you were cute. I saw on Facebook my friend got married. Her husband looked hot.
If only I could remember your name.
By Katharine Griffiths
Healing hands, harming fists
Comforting embrace, crossed arms
Soulful gaze, empty look
Validating ear, deafening silence
Understanding heart, selfish attitude
Heartfelt words, stinging criticism
In death sorely missed, free to find bliss