By Kathryn Aldridge-Morris
The terraza’s closed to stop a Castilian corriente sweeping through the flat, smashing doors and breaking glass.
‘Amelia?’
My lover’s mother doesn’t turn from the hob.
‘Amelia?’
She rips a bulb from a garland of garlic, digs into the flesh, splits it into cloves. ‘Qué?’
From a sack, a squirming sound: shell against shell, squeaking legs, antennae, mandibles. She extracts a blue-green crayfish, its body writhes in her hand.
‘Amelia, I’m pregnant.’
She plunges the animal into boiling water; it hisses on impact, shell flares into red.
Much later I’ll ask if that noise is a scream, or just air.
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“I write as a way to find flow, get a buzz, uncover meaning.” – the writer
Intense- great!
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Ah, thank you! I’m so happy you enjoyed it! Kathryn
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❤️
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I know that noise from cooking shellfish, in a pot, heated over an open fire, on a beach. Hadn’t thought about it for a long time.
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So glad it resonated with you 🙂 Kathryn
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You packed a lot into that short piece of prose. I could feel the pressure in that small kitchen. Thank you for sharing.
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Thank you for your lovely feedback – so glad you enjoyed it! Kathryn
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